Category: Movies

Meet Enzo Zelocchi and some of his achievements: Enzo Zelocchi is an Italian/American, Hollywood film producer, actor and businessman, an award winner as actor, producer, social Media influencer, businessman and founder of A-Medicare with over 33 movie awards in Film Festivals and semifinalist for an Academy Award nomination with the project “My Little Princess”.

Tell me about The First Secret? Enzo: The story behind First Secret is: how is it possible that the Hispanic and Latin community really only have Zorro, as a superhero, who isn’t really a superhero? He’s basically Batman without technology. I started to dig in, and look for a superhero. So, I found a guy who is actually the real-life inspiration for Ian Fleming’s James Bond. We were able to cut a trailer, which I decided to release March 2020. People told me it was a bad time. No, it is the best time. Everyone is on their phones and they don’t know what to do. We were the second most viewed video worldwide on Instagram. I didn’t have high expectations; I just wanted to touch the ground. The character is a guy from the Dominican Republican, who was like James Bond, stationed in Paris, and he was friends with John Kennedy, hanging out with the most beautiful women in the world, driving nice cars. He had a very interesting life. So, I decided to make him a superhero.

Enzo Zelocchi is best known for his success with the movie My Little Princess (over 33 movie awards at film festivals and a 2010 semi-finalist for an Academy Award nomination), but also for his consideration to star as the new Zorro in Zorro Reborn, the development for the first Hollywood Hispanic superhero “Starlight Man – The First Secret” and as executive producer and vice president of development at Crossroads Entertainment. He is also listed as a producer of Find Me Guilty, starring Vin Diesel, which was directed by the Academy Award winner Sidney Lumet; and as producer of Shadow of Doubt, starring Melanie Griffith and Tom Berenger.

Actor and filmmaker Enzo Zelocchi chatted with Digital Journal’s Markos Papadatos about another venture of his, A-Medicare cryptocurrency, which has a focus on the medical platform. He is on track to becoming the next generation of Jeff Bezos meets Elon Musk. When talent, deep technologies, and great visions join forces for the common good, big things are on the way. This is the case of actor and producer Enzo Zelocchi. In addition, Zelocchi is the founder and CEO of A-Medicare and he is aiming to extend efficient healthcare services all over the world. He is going to launch a cutting-edge cryptocurrency toward the end of 2021 or early 2022 (the only crypto allowed to the A-Medicare platform) and a token that is aimed to become the first unified currency worldwide used from every country for healthcare.



Enzo Zelocchi was honored over 5 Times as Best Actor, 4 Times Best Outstanding Performance, 4 Times Best Director, 3 Times Best Writer and Best Producer and at the California Film Awards 2010 he won Grand Winner for Best Family Film. Other awards include the following film festivals: in 2010 Hollywood Variety Movie Awards as Best Actor and Best Outstanding Performance, in 2011 at the Golden Indie Movie Awards also as Best Actor and Best Outstanding Performance; as well as at the Hong Kong Best Film Awards (hongkongbestfilmawards.com) as Best Actor, Best Outstanding Performance and Best Original Content.

Zelocchi defined the word success as “be loved, love and have enough money to live a life that I like to live and not worry about future or tomorrow or anything.” “To have a comfort zone and to be in peace with yourself. Love is the most important but money always helps,” he said. Enzo achieved great success with the trailer of the film The First Secret, which went viral and was mentioned in Variety as the second most-watched video of the month with over 24 million views on Instagram behind Cardi B and ahead of Selena Gomez, Bad Bunny, and Dwayne Johnson.

How did the project of The Source come to be? Tell us about your involvement with it. The Source was originally conceived as a movie franchise. Due to COVID-19, the entertainment industry changed quite a bit in terms of distribution (hopefully temporarily), so I turned it into a TV show. I originally wrote The Source in 2018, and when COVID-19 started, I began to deeply develop all the projects that I thought would be a good fit for this current time in our society. I’m basically the creator, writer (along with others on the team), producer, and lead actor. When the trailer of The Source received over 200 million views, I understood that I was on the right track.

Most watched movies and TV series online today? If you’re wondering why this family-friendly movie is on this list, it’s because Spy Kids has received a lot of praise for its clever narrative. Also, despite being a kid’s movie, it’s a riveting watch for adults. Gregorio and Ingrid, two agents from different spy agencies who fall in love and start a family, are brought to life by the movie’s must-see sets and visual tricks. Years later, the former spies are added to the MIA list after a string of disappearances. Carmen, 12 years old, and Juni, 9, work together to safeguard them from oncoming danger. Read more info at watch.

The sci-fi movie selection on Amazon Prime isn’t what it used to be, but the selections it does have are all over the map—classic sci-fi from the 1970s and ’80s, recent blockbusters, indie gems—and representative of such a dearth of quality, buttressed by butt-loads of low-budget B-movies, that browsing for the good stuff is more than difficult. We’ve dug through pages and pages of free sci-fi offerings for Amazon Prime members and found a handful worth your time, from hilarious satires to graphically violent satires, from iconic, controversial picks to a few from as recently as last year. And also, you can watch The Tomorrow War if you feel really inclined.

A few words on streaming services : Netflix’s base plan now costs more than Hulu, at $8.99 per month. Netflix doesn’t run traditional ads on any of its content, but you need to pay more (at least $13.99 per month for the Standard plan) if you want to stream HD content and stream on more devices simultaneously. Paramount+’s ad-free tier is $9.99 per month, while HBO Max comes in at a much pricier $14.99 per month. Amazon Prime Video is at $8.99 per month. Shudder, a horror-focused streaming service, matches the price of Hulu’s ad-supported plan, but doesn’t show ads. Apple TV+ is cheaper than all of them at $4.99 per month. As for cable-replacement services, Hulu + Live TV costs the same as YouTube TV ($64.99 per month). Philo ($20 per month) and Sling TV’s Orange & Blue plans ($35 per month each or $50 together) are significantly cheaper. FuboTV starts at a slightly more affordable $59.99 per month, while AT&T TV’s entry-level tier is $69.99 per month, respectively. None of these services offer on-demand content libraries as complete as Hulu’s. You don’t necessarily need to pay to get video streaming entertainment. Our roundup of the best free video streaming services offers both on-demand services and those with preprogrammed channels. Apart from streaming Hulu on the web, you can download apps for mobile platforms (Android and iOS), media streaming devices (Apple TV, Chromecast, Fire TV, and Roku), smart TVs, and game consoles (PlayStation, Xbox One, and the Nintendo Switch). Hulu’s live TV tier is available on the PlayStation 4, but PlayStation 3 users are still out of luck when it comes to live TV. When you log in to Hulu for the first time, the service walks you through some personalization options in which you choose, channels, genres, and shows that appeal to you. Hulu uses this information to populate the My Stuff section of the web interface, a feature we discuss a bit later.

Gavin O’Conner (Miracle, Warrior) is modern cinema’s preeminent sports-drama director, a status he maintains with The Way Back, a conventional but deeply felt story about addiction, anger and the rough road of rehabilitation. Reuniting O’Conner with his The Accountant star, the film concerns Jack Cunningham (Ben Affleck), a former high-school basketball phenom who, in the wake of multiple familial losses, gets through his construction-work days and wayward nights with a perpetual drink in hand. By means of a job coaching his Catholic alma matter’s struggling team, Jack is blessed with a shot at salvation, turning around the fortunes of his players and, by extension, his own life. Subdued and melancholy, Jack’s journey is a familiar one, and yet O’Conner and Affleck – the latter turning in an expertly modulated, interior turn – shrewdly locate their protagonist’s alcoholism as the self-destructive byproduct of regret, resentment, fury and hopelessness. Also generating pathos from agonized father-son traumas, it’s a male weepy that, courtesy of its well-calibrated empathy, earns its melodramatic tears.

Hugh Jackman is as good as he’s ever been in the second film from Thoroughbreds director Cory Finley, a based-on-a-true-story drama about an early aughts embezzlement scandal in an upscale Long Island public-school district. As Frank Tassone, Jackman plays a liar, a showman, a consummate politician, and, actually, a pretty good superintendent, if you don’t mind the crimes. It’s a role that makes enjoyable use of the innate theatrical flare that can sometimes make the actor read as phony in more scaled-down roles. Bad Education is slyly grounded in regional details, the most delightful of them having to do with Allison Janney as fellow administrator, co-conspirator, and reluctant fall gal Pam Gluckin. But it’s ultimately as tragic as it is funny, a story about the fundamental contradictions of public schools that generate and benefit vastly from local dollars, all the while paying lip service to education as a higher calling.

Thailand quality free online movies websites? Romanian director Corneliu Porumboiu loves to play with procedure and form; he’s an ideal director for playful tales about bureaucrats, cops, and other officials in a country still wrestling with the decades-long fallout from a communist dictatorship. His movies are cosmic comedies shot through with moments of ironic tragedy, and this crime comedy-drama might be his weirdest one yet. It starts off as a bizarro tale about a policeman who has to learn a “whistling” language used by the inhabitants of one of the Canary Islands in order to help free a gangster from prison, then twists into a moving meditation on love, loyalty, and self-improvement. Best experienced without knowing anything beforehand; I’ve already said too much! Find additional details at movie-steam.com.

The modern gig economy receives a thorough thrashing by Ken Loach’s Sorry We Missed You, another sober class-conscious drama from the celebrated British director. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. That proves to be an arduous state of affairs given that his wife Abbie (Debbie Honeywood) is a home care nurse who works long hours (also for “herself”), and their son Seb (Rhys Stone) is a school-skipping, graffiti-spraying teen who – having seen the incessant, back-breaking toil and anxiety that comes from his parents’ chosen paths – has opted instead for delinquency. As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control.

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ความมืดมิดกลืนกินทุกสิ่ง เช่นเดียวกับความสิ้นหวังในอดีตและอนาคตที่สูญหาย และปัจจุบันที่ชำระล้างใน Vitalina Varela เรื่องราวอันน่าทึ่งของเปโดร คอสตา เกี่ยวกับตัวเอกของเรื่องซึ่งเป็นชาวเคปเวิร์ดที่กลับมายังโปรตุเกสเพียงไม่กี่วันหลังจากสามีที่เหินห่างของเธอ ความตาย. วิทาลินาเดินเตร่ผ่านสภาพแวดล้อมที่ทรุดโทรมและมืดมน ซึ่งคอสตาถ่ายทำแทบทุกคืนโดยเฉพาะ เป็นการดีกว่าที่จะร่ายมนตร์ความรู้สึกของผีที่นำทางไปสู่ทิวทัศน์แห่งความฝันแห่งความเศร้าโศก ความทุกข์ทรมาน และการขาดการเชื่อมต่อ ภาพของผู้กำกับแต่ละคนมีเสน่ห์มากกว่าภาพต่อไป และความงามของพวกเขา ควบคู่ไปกับภาพเสียงที่ห่อหุ้มของเตียงที่ส่งเสียงดัง ผ้าปูที่นอนที่ปลิวไปตามลม และฝนที่โปรยลงมาบนหลังคาที่พังยับเยิน – เป็นสิ่งที่น่าหลงใหล การนำเสนอเรื่องราวผ่านโครงเรื่องร้าวและบทพูดคนเดียวที่ชวนฝัน ผลงานล่าสุดของอาจารย์ชาวโปรตุเกสคือชุดของฉากแห่งความเศร้าโศกที่ไม่ใช่แค่วิทาลินาเท่านั้น แต่ยังเป็นบาทหลวงชราภาพในภาวะวิกฤตทางจิตวิญญาณ และชายหนุ่มอีกคนหนึ่งที่พร้อมจะอดทนต่อโศกนาฏกรรมของเขาเอง ความยิ่งใหญ่ที่เป็นทางการของภาพยนตร์เรื่องนี้ – ความแม่นยำในการจัดองค์ประกอบ และการผสมผสานของแสงและความมืดด้วยจิตรกร – นั้นล้นหลาม เช่นเดียวกับการมีอยู่ของ Vitalina อย่างสง่างาม

สำหรับผู้ชมภาพยนตร์บางประเภท ภาพยนตร์ที่ Nicolas Cage พูดถึงคำว่า “อัลปากา” หลายครั้งก็คุ้มค่าที่จะค้นหา โชคดีที่ Color Out of Space การดัดแปลงที่ทำให้เคลิบเคลิ้มของ H.P. เรื่องสั้นของเลิฟคราฟท์จากปี 1927 มีมากกว่าสัตว์ขนยาวและการแสดงละครของเคจ การผสมผสานระหว่างความน่าสนใจของนิยายวิทยาศาสตร์และภาพยนตร์สยองขวัญที่เกินบรรยาย ควบคู่ไปกับการแสดงตลกที่เป็นมิตรกับสโตเนอร์ ภาพยนตร์ B ที่แปลกประหลาดของ Richard Stanley อย่างภาคภูมิใจสั่นไหวด้วยความถี่ที่แปลกประหลาดของตัวเอง นาธานจากเคจ เกษตรกรช่างพูดกับภรรยาที่รัก (โจลี่ ริชาร์ดสัน) และลูกๆ ที่ดื้อรั้นสองคน ต้องต่อสู้กับอุกกาบาตที่ตกที่ลานหน้าบ้านของเขา ยิงแสงสีม่วงทั่วที่ดินของเขาและทำให้แหล่งน้ำในท้องถิ่นติดเชื้อ เป็นผู้บุกรุกพื้นที่บางส่วนหรือไม่? วิญญาณปีศาจ? พลังชีวภาพอย่างไม่เลือกหน้าสร้างความหายนะให้กับโครงสร้างของความเป็นจริงเอง? ความลึกลับที่ไม่อาจเข้าใจได้ของความชั่วร้ายนั้นตรงประเด็น และสแตนลีย์รวมการประลองเลือดที่เหมือน Evil Dead ด้วยแสงเลเซอร์ของ Pink Floyd เพื่อสร้างเอฟเฟกต์ที่น่าตื่นเต้น ทำให้เกิดการเล่นแร่แปรธาตุประเภทที่เคลื่อนไหวและน่าสะพรึงกลัวซึ่งน่าจะดึงดูดใจแฟน ๆ ของเกม Cage มีการเลี้ยวในแมนดี้ลูกผสมที่แปลกประหลาดในทำนองเดียวกัน อีกครั้ง คุณจะรู้ว่าสิ่งนี้อยู่ในโรงจอดรถของคุณหรือไม่

ดูหนังออนไลน์ง่ายๆในไม่กี่คลิก เว็บ มีทั้งหนังเก่า หนังใหม่ ให้คุณได้เลือกชมได้ฟรีทุกวันตลอด 24 ชั่วโมง ทั้งหนังไทย หนังจีน หนังฝรั่ง การ์ตูนอนิเมชั่น และหนังอื่นๆอีกมากมาย เรารวบรวมหนังเก่าตั้งแต่ 10 ปีที่แล้ว+ มาจนถึงหนังใหม่ล่าสุดที่เพิ่งออกไม่กี่วันหรือที่นิยมเรียกันกว่าหนังชนโรงนั่นเอง ทีวีออนไลน์ ทีวีสด ดูบอลออนไลน์เราก็มีให้รับชมได้ฟรีเช่นกัน ทั้งทีวีช่องทั่วไป ช่องข่าว ช่องบันเทิง ช่องกีฬา มากมายหลากหลายรายการ รวมทั้งการถ่ายทอดกีฬาสด ฟุตบอลสด เราก็มีให้ท่านรับชมได้อย่างชมนั่นเอง ซึ่งข้อนี้นั้นถือว่าเป็นสิ่งที่จำเป็นที่สุดของเหล่าคอหนัง เนื่องจากการรับชมแบบไม่เสียค่าบริการนั้นเป็นสิ่งที่ทุกคนต้องการนั่นเอง หนังอัพเดทใหม่ หนังออนไลน์HD หนังการ์ตูน หนังอนิเมะ หนังNetflix ซีรี่ย์จีน ซีรี่ย์ฝรั่ง ซีรี่ย์เกาหลี มาใหม่ทุกวัน มีทั้ง หนังบู๊ หนัง2021 หนังเก่า หนัง2022 หนังปี2020 ดูหนังตลก หนังชีวิตจริง หนังสยองขวัญ หนังลึกลับ เพลงคอนเสิร์ต ดูหนังกีฬา หนังสงคราม หนังคาวบายตะวันตก ดูหนังสยองขวัญ มีหนังพากย์ไทย ทั้งหนังซับไทย บรรยายไทย หนังซุปเปอร์ฮีโร่ หนัง MARVEL DC หนังแอคชั่น หนังอนิเมชั่น หนังการ์ตูนอนิเมะ ดูหนังฟรีไม่มีสะดุด หนังไม่มีโฆษณากวนใจ หนังชนโรง หนัง Netflix และเว็บไซต์ดูหนังออนไลน์นี้ ยังอัพเดทหนังใหม่ตลอด ดูหนังฟรี ดูหนังไม่เสียค่าใช้จ่าย ดูหนังออนไลน์ ดูหนัง ค้นพบ เพิ่มเติม ข้อมูล บนเว็บไซต์นี้ ดูหนังออนไลน์.

ผู้กำกับชาวโรมาเนีย คอร์เนลิว โปรุมโบชอบเล่นกับขั้นตอนและรูปแบบ เขาเป็นผู้กำกับในอุดมคติสำหรับนิทานขี้เล่นเกี่ยวกับข้าราชการ ตำรวจ และเจ้าหน้าที่คนอื่นๆ ในประเทศที่ยังคงต่อสู้กับอิทธิพลจากเผด็จการคอมมิวนิสต์ที่มีมายาวนานหลายทศวรรษ ภาพยนตร์ของเขาเป็นแนวคอเมดี้แห่งจักรวาลที่ถ่ายทำผ่านช่วงเวลาแห่งโศกนาฏกรรมที่น่าขัน และละครตลกแนวอาชญากรรมนี้อาจเป็นเรื่องแปลกประหลาดที่สุดของเขา มันเริ่มต้นจากเรื่องราวที่แปลกประหลาดเกี่ยวกับตำรวจที่ต้องเรียนรู้ภาษา “ผิวปาก” ที่ชาวเกาะคานารีใช้เพื่อช่วยปลดปล่อยนักเลงจากคุก จากนั้นจึงมาทำสมาธิเกี่ยวกับความรัก ความจงรักภักดี และการพัฒนาตนเอง ประสบการณ์ที่ดีที่สุดโดยไม่รู้อะไรเลยล่วงหน้า ฉันพูดมากไปแล้ว!

Premium free online movies portals in Thailand? Gavin O’Conner (Miracle, Warrior) is modern cinema’s preeminent sports-drama director, a status he maintains with The Way Back, a conventional but deeply felt story about addiction, anger and the rough road of rehabilitation. Reuniting O’Conner with his The Accountant star, the film concerns Jack Cunningham (Ben Affleck), a former high-school basketball phenom who, in the wake of multiple familial losses, gets through his construction-work days and wayward nights with a perpetual drink in hand. By means of a job coaching his Catholic alma matter’s struggling team, Jack is blessed with a shot at salvation, turning around the fortunes of his players and, by extension, his own life. Subdued and melancholy, Jack’s journey is a familiar one, and yet O’Conner and Affleck – the latter turning in an expertly modulated, interior turn – shrewdly locate their protagonist’s alcoholism as the self-destructive byproduct of regret, resentment, fury and hopelessness. Also generating pathos from agonized father-son traumas, it’s a male weepy that, courtesy of its well-calibrated empathy, earns its melodramatic tears.

Russian director Kantemir Balagov’s soul-crushingly powerful and exquisitely mounted historical drama (which really deserved at least an Oscar nomination this year; it was short-listed but didn’t make the final five) follows two female veterans trying to reconnect with life in postwar St. Petersburg. It starts off in unspeakable tragedy — the young director is known for booby-trapping his films with the occasionally devastating image or plot development — which makes for a striking emotional and structural gambit. As the characters wrestle with their own trauma, we, too, are dealing with the consequences of what we’ve seen. What makes it all work — and work so beautifully — is Balagov’s almost supernatural command of film language: the elegance of his storytelling, the vivid, symbolic use of color, the humanism of the performances. You can bask in Beanpole’s cinematic delights while simultaneously having your heart ripped to shreds. Read extra details at https://movie2freemax.com/.

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คุณภาพระดับตำนานของเทือกเขาคอร์ดิเยรา ซึ่งเป็นแนวเทือกเขาแอนดีสที่สูงตระหง่านทางทิศตะวันออกซึ่งทำหน้าที่เป็นทั้งเกราะป้องกันและแยกตัวออกจากเมืองซันติอาโก สอดคล้องกับภาพลวงตาอันยิ่งใหญ่และทำลายล้างของระบอบ Pinochet ของชิลีใน The Cordillera of Dreams นักสารคดี Patricio Guzmán ครุ่นคิดเกี่ยวกับประวัติศาสตร์อันวุ่นวายในบ้านเกิดของเขา และความสัมพันธ์ของเขากับมัน จากสถานที่ท่องเที่ยวอันกว้างใหญ่ของเทือกเขาแอนดีที่ปกคลุมไปด้วยหิมะ ไปจนถึงเม็ดเล็กๆ ภาพวีดิโอแสดงการกดขี่ข่มเหง Pinochet สู่การสัมภาษณ์แบบครุ่นคิดกับเพื่อนๆ ศิลปิน ภาพยนตร์ของ Guzmán (รายการที่สามในไตรภาคที่รวม Nostalgia for the Light และ The Pearl Button) ตรวจสอบการเปลี่ยนแปลงครั้งใหญ่ของการรัฐประหารในปี 1973 และรอยแผลเป็นที่ยังคงหลงเหลืออยู่ เหลือไว้ให้เขาและพลเมืองของประเทศ ในทิวทัศน์ของเทือกเขา Cordillera ที่เก่าแก่และเคลื่อนย้ายไม่ได้ ภาพระยะใกล้ของรอยแยกที่เรียงรายอยู่บนพื้นแข็ง และจ้องมองไปยังลวดลายคล้ายเขาวงกตที่พบตามประตูรถที่เก็บของเก่า Guzmán (ซึ่งทำหน้าที่เป็นผู้บรรยายด้วย) ทำให้เกิดความรู้สึกกวีถึงความลึกลับอันน่าเกรงขามและรอยแยกที่ไม่อาจซ่อมแซมได้ ซึ่งแพร่กระจายไปทั่วตัวเขา – และวัฒนธรรมชิลีที่ไม่สมดุลทางเศรษฐกิจ – เช่นเดียวกับหุบเขาอันเคร่งขรึมที่อยู่ระหว่างยอดเขาแอนดีส

โค้ชบาสเกตบอลของ Ben Affleck มีวินัยในแนวทางและไม่ขอโทษเกี่ยวกับสิ่งประดิษฐ์ของตน ละครวิกฤต The Way Back เป็นหนังกีฬาที่เข้าใจพื้นฐาน สิ่งที่ขาดไปในด้านความฉูดฉาดหรือความเฉลียวฉลาด การเล่าเรื่องที่ตกอับของทีมเส็งเคร็งภายใต้การนำของโค้ชผู้ห้าวหาญทำให้ Hoosiers จดจำได้ทั้งหมด – ประกอบขึ้นด้วยฝีมือการตกต่ำที่น่าดึงดูดอย่างผิดปกติ รายละเอียดเล็กๆ น้อยๆ เช่น เฟรมหยุดนิ่งเมื่อคะแนนของเกมปรากฏขึ้นบนหน้าจอหรือเพลงที่มีเสียงกระทบกระเทือนแบบคลิก-แคล็ก สะสมพลังทางอารมณ์ไว้เหนือรันไทม์ที่เร็วของภาพยนตร์ การเล่นเป็นอดีตนักกีฬาที่มีปัญหาเรื่องการดื่มสุราและปีศาจส่วนตัวที่ซ่อนอยู่ในเชิงกลยุทธ์จำนวนหนึ่ง แอฟเฟล็กแสดงการแสดงที่อ่อนล้าซึ่งสะท้อนตัวตนที่อยู่นอกจอของเขา (และพาดหัวข่าวในแท็บลอยด์ล่าสุด) ในรูปแบบที่ชัดเจนและน่าประหลาดใจ ในช่วงเวลาสั้นๆ ผู้กำกับ Gavin O’Connor ผู้ซึ่งเคยช่วยในเรื่อง Miracle and Warrior ที่เข้มข้นในทำนองเดียวกันนี้ ได้ดึงเอาเคล็ดลับสุดยอดของภาพยนตร์กีฬาที่ทำให้คุณเชื่อว่าการไถ่ถอนของตัวละครนั้นไม่อาจหลีกเลี่ยงได้ ชัยชนะทุกครั้งคือการต่อสู้ แม้ว่าคุณจะรู้ว่าผลลัพธ์จะตามมา

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หมู่บ้านในชนบทใน Sertão ถูกโจมตีในภาพยนตร์เรื่องนี้จาก Juliano Dornelles และ Kleber Mendonca Filho การพูดเพิ่มเติมเกี่ยวกับผู้กระทำความผิดถือเป็นการสปอย แต่โปรดวางใจว่า Udo Kier มีส่วนเกี่ยวข้อง Bacurau เป็นกลุ่มนักแสวงหาผลประโยชน์ที่สูบฉีดเลือดและการประท้วงต่อต้านอาณานิคมอย่างดุเดือด ซึ่งเป็นภาพยนตร์ที่การตั้งถิ่นฐานของชาวบราซิลที่มีลักษณะเฉพาะตัว ragtag พิสูจน์ตัวเองว่ามีความยืดหยุ่นมากกว่านักการเมืองที่ทุจริตหรือบุคคลภายนอกที่โลภ ในฐานะที่เป็นการเผยแพร่ในยุคโคโรนาไวรัสโดยไม่ได้ตั้งใจ มันยังมีข้อความที่เป็นส่วนผสมที่ลงตัวของกำลังใจและทำให้ไม่สงบ — ที่ชุมชนสามารถรวมตัวกันได้ในที่ที่รัฐบาลล้มเหลว แต่จะต้องได้รับความรู้สึกของชุมชน

Urmareste seriale online excelente in 2022? Băieți buni: Este un serial dramă de producție românească difuzat în perioada 24 aprilie 2005 – 12 iunie 2005 și realizat în studiourile Media Pro Pictures. A fost creat de Andrei Boncea și difuzat de postul de televiziune Pro TV. Serialul ”Băieți buni” prezintă viața de stradă din România. Serialul a avut foarte mare succes și datorită faptului că în coloana sonoră a peliculei s-a regăsit și cântecul „Străzile”, unul din hit-urile formației BUG Mafia. ”Băieți buni” conține 8 episoade cu o durată de aproximativ 50, realizate într-o notă serioasă și presărate pe alocuri și cu momente comice. La succesul acestui serial au contribuit actori celebri ca Florin Călinescu, Dragoș Bucur și Ștefan Bănica Jr. Printre actorii debutanți care și-au căutat faima în lumea filmului din România s-a numărat, cu această ocazie, și Cabral Ibacka sau Răzvan Vasilescu. Din păcate, asemănarea prea mare a secției de poliție din serial cu cea a unei din America, și nu din România, i-a cam supărat pe fani. Serialul s-a bucurat de un succes mare, dar scurt.

Omer si Elif par a fi foarte diferiţi unul de altul, singurul lucru care ii uneşte este dragostea dintre ei, puternica, pura si uimitoare. Urmareste Kara Para Ask episodul 54 subtitrat. In serialul Kara Para Ask joaca actorii Engin Akyürek, Tuba Büyüküstün, Nebahat Çehre, Erkan Can as Tayyar, Hazal Türesan, Burak Tamdoğan, Tuvana Türkay, Saygın Soysal, Bestemsu Özdemir, Işıl Yücesoy. Omer lucreaza la departamentul de crimă organizată si este foarte dedicat carierei sale, iar Elif este o fata dintr-o familie bogata si este un designer de bijuterii si locuieste in Italia unde are afacerea ei proprie. Viata este imprevizibila si face ca cei doi sa se intalneasca exact la timpul si momentul potrivit la Istanbul, acestia ajung acolo cu scopuri diferite si ajung sa aiba un scop comun. Descopera mai multe informatii pe acest site Romaseriale.

Mondenii: Este un serial de parodie produs de Paprika și difuzat între anii 2006 și 2014 de Prima TV. Primul episod a fost difuzat pe 5 septembrie 2006, având o durată de 30 de minute. Are 6 sezoane cu un număr total de 114 episoade. 5 actori intră în pielea personajelor mondene din România: Mirela Zeța, Andreea Grămoșteanu, Mihai Bendeac, Dragoṣ Stoica și Angel Popescu. Serialul ”Mondenii” a fost difuzat, de asemenea, în Statele Unite ale Americii în anul 2007 și în Italia, în anul 2008. Cele mai prezente personaje ale serialului au fost: Andreea Marin Bănică, Ștefan Bănică Jr., Gigi Becali, Mihaela Tatu, Mihaela Rădulescu, Traian Băsescu, Elena Udrea, Marian Vanghelie, Adriana Bahmuțeanu și Silviu Prigoană, Mircea Solcanu, Nikita, Diana Munteanu, Simona Sensual, Ionuț Dolănescu, Simona Pătruleasa, Andreea Esca, Leonard Doroftei, Cristian Tudor Popescu și Magda Ciumac. Din al doilea sezon, difuzat începând cu data de 13 septembrie 2007, apar rubricile: „Știri Mondene“, „Zodiac Monden“, „Bucătăria Mondenă“, „Teleshopping“ și „Te crezi mai prost decât un repetent de clasa 1?“

Hikmet e îngrijorat de ce se va alege de familia lui, de avere, dar și de Emir, băiatul său rebel, cu care se ceartă constant și care refuză să se implice în afacerile tatălui său. Pentru Hikmet, Reyhan acceptă să se mărite cu Emir, iar Emir acceptă să se însoare doar că să o facă pe Reyhan să sufere, să o determine să divorțeze și să strice planul pus la cale de tatăl său. Din distributie fac parte actorii: Özge Yagiz, Gokberk Demirci, Can Verel, Munise Özlem, Ceyda Olguner, Gül Arcan, Berkent Müftüler, Derya Kurtulus, Cansin Mina Gür, Tugçe Ersoy, Mustafa Simsek, Esra Çoban. Dar, ce să vezi, de-a lungul timpului, după căsătorie, Emir ajunge să fie impresionat de căldura și istețimea lui Reyhan, iar ea nu rămâne indiferentă la calitățile pe care le descoperă în soțul ei.

Batu primește, de asemenea, acceptul de la o universitate din Istanbul, dar spune că nu ar putea merge la Istanbul din cauza lipsei de bani. Acești doi tineri decid să găsească fericirea, oricât de greu ar fi și decid să fugă împreună la Istanbul. Pe drum, Batu trebuie să o lase pe Kumsal în urmă fără să spună nimic pentru că trebuie să scape de bărbații care îl urmăresc. Din moment ce Kumsal nu știe ce se întâmplă, ea presupune doar că a fost înșelată de Batu. La scurt timp, Kumsal se intalneste din nou cu Batu la Istanbul. Problemele apar pe măsură ce realizează diferențele dintre bani și lumea reală și în curând învață ce este iubirea. In serialul Numele fericirii joaca actorii: Dilara Aksüyek, Begüm Atak, Zeynep Bastik Asli Bekiroglu, Fatih Dönmez, Ezgi Eyüboglu, Orçun Iynemli, Yagmur Kasifoglu Yagiz Can Konyali, Ceyhun Mergiroglu, Onur Alp Sancaktar, Kaan Yildirim, Kaan Çakir. Citeste mai multe informatii pe acest site Seriale Turcesti.

Most watched free movies online 2022? Is the soap2day Website Secure To Use? It’s completely safe to use the soap2day website, except you’re using some of their proxy solutions. The presence of advertisements is probably the biggest challenge while browsing. It is not possible that the soap2day website in question is in violation of any policy so you’re free to watch the site. It is completely secure for the purpose of storing and streaming media online. In turn, users can be directed to third party services to stream content as the soap2day service is not hosting the media it hosts. We are all aware that regional and country-specific law regarding piracy are different, so it’s best to be aware and avoid soap2day proxy service. Find more info at soap2day free movies.

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Romanian director Corneliu Porumboiu once again melds his interests in language and genre filmmaking with The Whistlers, a neo-noir about a police officer named Cristi (Vlad Ivanov) who travels to the Canary Island of La Gomera to learn an ancient whistling language that doesn’t sound anything like a human form of communication. This subterfuge is demanded by Cristi’s gangster bosses, with whom he’s both in league with and tasked with nabbing by his law enforcement chief Magda (Rodica Lazar). Cristi’s playing-both-sides predicament is complicated by his relationship with Gilda (Catrinel Marlon), an alluring beauty whose femme fatale status is underlined by her famous noir name, and Porumboiu fractures his narrative so that chronology, like the various dialects employed by his characters, comes across as intricately coded. Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music.

Some words about streaming services : Many other live TV services also strive to appeal to general audiences, including AT&T TV, and YouTube TV. Other services are better suited for one genre of content than others. For example, fuboTV is an excellent sports streaming service, though it pretty much matches Hulu in the other categories as well. ESPN+ is another sports-centric service, but with a much narrower content scope. How Much Does Hulu Cost? Hulu’s ad-supported, on-demand streaming plan currently costs $5.99 per month. To avoid ads, you need to spring for the $11.99-per-month plan. You can bundle Hulu (ad-supported version), Disney+, and ESPN+ for $13.99 per month or get the ad-free version of Hulu in that same bundle for $19.99 per month. College students can get the ad-free version of Hulu for $1.99 per month. The $64.99-per-month Hulu + Live TV plan bundles the service’s live TV component with ad-supported access to its on-demand library. If you want Hulu’s live channels and the ad-free on-demand package, that costs $70.99 per month.

Romanian director Corneliu Porumboiu loves to play with procedure and form; he’s an ideal director for playful tales about bureaucrats, cops, and other officials in a country still wrestling with the decades-long fallout from a communist dictatorship. His movies are cosmic comedies shot through with moments of ironic tragedy, and this crime comedy-drama might be his weirdest one yet. It starts off as a bizarro tale about a policeman who has to learn a “whistling” language used by the inhabitants of one of the Canary Islands in order to help free a gangster from prison, then twists into a moving meditation on love, loyalty, and self-improvement. Best experienced without knowing anything beforehand; I’ve already said too much!

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The War A Ken Burns Film DVD and premium region 4 dvd online stores in 2021? Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. In a countryside beset by an unknown plague, teenage Gretel (It’s Sophia Lillis) refuses to work as an old creepy man’s housekeeper, and is thus thrown out by her mother, forced to take her young brother Hansel (Sam Leakey) on a journey through the dark woods to a convent she has no interest in joining. Beset by hunger, the two come upon the home of a witch (Alice Krige), whose feasts are as mouth-watering as her magic lessons for Gretel are simultaneously empowering and unnerving. Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine might and autonomy, and the potential cost of acquiring both. Drenched in ageless, evil imagery (full of triangular pagan symbols, pointy-hatted silhouettes, and nocturnal mist), and boasting a trippiness that becomes hilariously literal at one point, Gretel & Hansel casts a spell that feels at once ancient and new.

Star Trek: Deep Space Nine (sometimes abbreviated to DS9) is a science fiction television series set in the Star Trek universe in the Milky Way galaxy, in the years 2369¨C2375. In contrast to other Star Trek TV shows, it primarily takes place on a space station rather than a starship, so as not to have two series with starships in the same time period; the series ran concurrently with Star Trek: The Next Generation during its first two seasons and with Star Trek: Voyager for the remainder of its run. The starship USS Defiant was introduced in season 3, but the Deep Space Nine space station remained the show’s primary setting. See more info at Star Trek Deep Space Nine Complete Series.

The systemic culture of indifference and cruelty that often forms around a powerful serial abuser gets put under the microscope in this studiously observed New York office drama, which draws inspiration from the behavior of Harvey Weinstein while intentionally blurring some of the details. We never learn the name of the tyrannical boss in the story and the exact nature of his crimes are never fully revealed; instead, Julia Garner’s assistant Jane, a Northwestern grad fresh off a handful of internships, provides our entryway into the narrative. The movie tracks her duties, tasks, and indignities over the course of a single day: She makes copies, coordinates air travel, picks up lunch orders, answers phone calls, and cleans suspicious stains off the couch. At one point, a young woman from Idaho appears at the reception desk, claims to have been flown in to start as a new assistant, and gets whisked away to a room in an expensive hotel. Jane raises the issue with an HR rep, played with smarmy menace by Succession’s Matthew Macfadyen, but her concerns are quickly battered away and turned against her. Rejecting cheap catharsis and dramatic twists, The Assistant builds its claustrophobic world through a steady accumulation of information. While some of the writing can feel too imprecise and opaque by design, Garner, who consistently steals scenes on Netflix’s Ozark, invests every hushed phone call and carefully worded email with real trepidation. She locates the terror in the drudgery of the work.

Several words about streaming services : Hulu’s web interface for live and on-demand content looks much more modern now than in years past, with big, flashy sliders and easily discoverable content. Hulu is planning to make interface text more legible in a forthcoming update. The homepage highlights noteworthy shows with horizontally scrolling lists below for categories such as Live Now, My Channels, Sports, News, and Hulu Originals. At the top of the page, you get categories for Live TV and My Stuff. Search and Account options live in the upper right-hand corner of the screen. The search feature is not as robust as the one offered by YouTube TV, which allows you to combine terms (such as “Science Fiction” and “1982”). In the account section, you can manage billing details and your subscription add-ons. You can also add user profiles for individual users, a feature we appreciate. While you can restrict certain profiles to kid-friendly content only, that’s not as flexible as other platforms’ capabilities, which let you set restrictions by content ratings.

The modern gig economy receives a thorough thrashing by Ken Loach’s Sorry We Missed You, another sober class-conscious drama from the celebrated British director. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. That proves to be an arduous state of affairs given that his wife Abbie (Debbie Honeywood) is a home care nurse who works long hours (also for “herself”), and their son Seb (Rhys Stone) is a school-skipping, graffiti-spraying teen who – having seen the incessant, back-breaking toil and anxiety that comes from his parents’ chosen paths – has opted instead for delinquency. As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control. Find even more information on https://www.dvdshelf.com.au/..

Exhilaratingly political but unfailingly intimate, Eliza Hittman’s third film is a thriller whose antagonist isn’t a person, but a society bent on treating the bodies of the main characters as common property. Never Rarely Sometimes Always takes place over the course of a few days in which a pregnant teenager travels with her cousin to New York City to obtain the abortion that restrictions have made unavailable to her in their home state of Pennsylvania. The precariousness of their situation, which soon stretches beyond the capacity of their meager resources, is counterbalanced by the strength of their bond. Newcomers Sidney Flanigan and Talia Ryder aren’t just magnetic — they convey, often without words, what it means to have someone to really rely on.

Will the mandalorian season 2 be released on dvd? Disciplined in its approach and unapologetic about its contrivances, Ben Affleck’s basketball coach in crisis drama The Way Back is a sports movie that understands the fundamentals. What it lacks in flashiness or ingenuity — the underdog narrative of a crappy team hitting its stride under the leadership of a gruff coach hits all the requisite Hoosiers notes — it makes up for with an oddly enthralling downbeat craftsmanship. Little details, like the freeze-frame when the scores of games pop up on screen or the click-clack percussion-heavy music, accumulate emotional power over the film’s brisk runtime. Playing a washed-up ex-athlete with an immediately apparent drinking problem and a number of strategically hidden personal demons, Affleck delivers a weary performance that resonates with his off-screen persona (and his recent tabloid headlines) in ways both obvious and surprising. In brief stretches, director Gavin O’Connor, who helmed the similarly intense melodramas Miracle and Warrior, pulls off the ultimate sports movie trick of making you believe the character’s redemption isn’t inevitable. Every win is a battle — even if you know the results going in.

Some words on streaming services : Hulu does produce some original movies, such as Happiest Season, Palm Springs (which was nominated for a Golden Globe), and Run. Foreign films on the platform include Shoplifters and A Breath Away. Despite Hulu’s efforts, Netflix currently offers the best movie library of any of the video streaming services. A dedicated movie streaming service offers more for cinephiles. For instance, The Criterion Channel’s and Mubi’s film libraries are much more substantial and heavily curated. Hulu’s documentary section features a lot of celebrity biopics; from The Beatles to B.B. King, there are documentaries about the life and times of many beloved musicians. Fashion documentaries on the service include The First Monday in May, Dior and I, Diana Vreeland: The Eye Has to Travel, and McQueen. Outdoors enthusiasts should check out Free Solo, the mountain-climbing documentary featuring fearless free solo climbers and sweeping shots of impossibly high cliffs.

Where to buy the mandalorian season 2 dvd? Tom Hardy’s gift for hulking intensity and charismatic growling are in full effect in Capone, a fictionalized account of the last year in the life of the legendary American gangster. Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. Writer/director Josh Trank’s film is a subjective affair told largely from Capone’s POV, so that nothing can be trusted and yet everything speaks, symbolically, to the man’s deep-seated ambitions, fears and misgivings. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. Part Cowardly Lion, part Bugs Bunny, and altogether ferocious even as his sanity frays, Hardy’s Capone is yet another triumph for the star, who ultimately captures his protagonist less through imposing physicality than via his dark, glassy, lost eyes. Discover even more info at the mandalorian season 2.

The tony Pennsylvania prep school in which Tayarisha Poe’s nimble debut takes place might bring to mind mean-rich-kid chronicles like Cruel Intentions — but it has more in common with Rian Johnson’s 2005 baby-faced neo-noir Brick. Selah and the Spades is a teen drama in which the line between social clique and mob family feels incidental, taking place in a boarding-school bubble that’s enthralling and insular, privilege serving as a kind of leveling agent that makes day-to-day skirmishes for dominance the only thing that matters. And at the still center of this surprisingly tumultuous world is Selah (Lovie Simone), a character whose desire for a successor wars with her instinct to destroy anyone who challenges her place — even when it’s someone of her own choosing. It’s a compelling portrait of someone who, having made herself the queen of this limited kingdom, finds herself terrified of life when she leaves.

The darkness is all-consuming, as is despair over a lost past and future, and a purgatorial present, in Vitalina Varela, Pedro Costa’s aesthetically ravishing true tale of its protagonist, a Cape Verde resident who returns to Portugal mere days after her estranged husband’s death. Vitalina wanders through this dilapidated and gloomy environment, which Costa shoots almost exclusively at night, the better to conjure a sense of ghosts navigating a dreamscape of sorrow, suffering and disconnection. Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Presenting its story through fractured plotting and dreamy monologues, the Portuguese master’s latest is a series of tableaus of lovelorn grief concerning not only Vitalina but also an aged priest in spiritual crisis and another young man poised to endure his own tragedy. The film’s formal grandeur – its compositional precision, and painterly interplay of light and dark – is overwhelming, as is the majestic presence of Vitalina herself. Discover extra details on https://www.bilidvd.com/.

What is the release date for the handmaid’s tale season 4? The systemic culture of indifference and cruelty that often forms around a powerful serial abuser gets put under the microscope in this studiously observed New York office drama, which draws inspiration from the behavior of Harvey Weinstein while intentionally blurring some of the details. We never learn the name of the tyrannical boss in the story and the exact nature of his crimes are never fully revealed; instead, Julia Garner’s assistant Jane, a Northwestern grad fresh off a handful of internships, provides our entryway into the narrative. The movie tracks her duties, tasks, and indignities over the course of a single day: She makes copies, coordinates air travel, picks up lunch orders, answers phone calls, and cleans suspicious stains off the couch. At one point, a young woman from Idaho appears at the reception desk, claims to have been flown in to start as a new assistant, and gets whisked away to a room in an expensive hotel. Jane raises the issue with an HR rep, played with smarmy menace by Succession’s Matthew Macfadyen, but her concerns are quickly battered away and turned against her. Rejecting cheap catharsis and dramatic twists, The Assistant builds its claustrophobic world through a steady accumulation of information. While some of the writing can feel too imprecise and opaque by design, Garner, who consistently steals scenes on Netflix’s Ozark, invests every hushed phone call and carefully worded email with real trepidation. She locates the terror in the drudgery of the work.

Several words about streaming services : Hulu does produce some original movies, such as Happiest Season, Palm Springs (which was nominated for a Golden Globe), and Run. Foreign films on the platform include Shoplifters and A Breath Away. Despite Hulu’s efforts, Netflix currently offers the best movie library of any of the video streaming services. A dedicated movie streaming service offers more for cinephiles. For instance, The Criterion Channel’s and Mubi’s film libraries are much more substantial and heavily curated. Hulu’s documentary section features a lot of celebrity biopics; from The Beatles to B.B. King, there are documentaries about the life and times of many beloved musicians. Fashion documentaries on the service include The First Monday in May, Dior and I, Diana Vreeland: The Eye Has to Travel, and McQueen. Outdoors enthusiasts should check out Free Solo, the mountain-climbing documentary featuring fearless free solo climbers and sweeping shots of impossibly high cliffs.

The handmaid’s tale dvd season 4? Bio-terror comes in corrupting forms in The Beach House, whose contagion-based scares speak, subtly if severely, to our present moment. On a Cape Cod getaway, aspiring astrobiologist Emily (liana Liberato) and her going-nowhere boyfriend Randall (Noah Le Gros) wind up sharing accommodations with fiftysomething couple Jane (Maryann Nagel) and Mitch (Jake Weber), friends of Randall’s dad. Drinks and hallucinogenic edibles help alleviate the initial awkwardness of this get-together, but the good times are fleeting, thanks to a strange mist emanating from the dark, furious depths of the ocean, which contaminates the area with glowing Lovecraftian foliage and giant, slimy organisms. The normal order is quickly turned on its axis—quite literally, in one unforgettable shot—as alien forces infest, infect and annihilate. Aided by Liberato’s accomplished performance, first-time writer/director Jeffrey A. Brown stages his mayhem with assured efficiency, creating an air of impenetrable mystery through uneasy silence, compositions that devolve into cascading bubbles and a squishy foot-surgery sequence that would make body-horror maestro David Cronenberg proud. Find even more details on https://www.bilidvd.com/buy-dvds/the-handmaids-tale-season-4/.

Hugh Jackman is as good as he’s ever been in the second film from Thoroughbreds director Cory Finley, a based-on-a-true-story drama about an early aughts embezzlement scandal in an upscale Long Island public-school district. As Frank Tassone, Jackman plays a liar, a showman, a consummate politician, and, actually, a pretty good superintendent, if you don’t mind the crimes. It’s a role that makes enjoyable use of the innate theatrical flare that can sometimes make the actor read as phony in more scaled-down roles. Bad Education is slyly grounded in regional details, the most delightful of them having to do with Allison Janney as fellow administrator, co-conspirator, and reluctant fall gal Pam Gluckin. But it’s ultimately as tragic as it is funny, a story about the fundamental contradictions of public schools that generate and benefit vastly from local dollars, all the while paying lip service to education as a higher calling.

Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut, which concerns a young hospice nurse named Maud (Morfydd Clark) who comes to believe that her mission from God – with whom she speaks, and feels inside her body – is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, punctuated by an incendiary final edit that won’t soon be forgotten. See even more details on bilidvd.com.

Invincible complete series 1? For a certain type of moviegoer, any film where Nicolas Cage says the word “alpacas” multiple times is worth seeking out. Luckily, Color Out of Space, a psychedelic adaptation of H.P. Lovecraft’s short story from 1927, offers more than just furry animals and unhinged Cage theatrics. Mixing hints of science-fiction intrigue and bursts horror movie excess, along with a couple splashes of stoner-friendly comedy, Richard Stanley’s proudly weird B-movie vibrates on its own peculiar frequency. Cage’s Nathan, a chatty farmer with a loving wife (Joely Richardson) and a pair of mildly rebellious kids, must contend with a meteoroid that crashes in his front yard, shooting purple light all over his property and infecting the local water supply. Is it some space invader? A demonic spirit? A biological force indiscriminately wreaking havoc on the fabric of reality itself? The squishy unknowability of the evil is precisely the point, and Stanley melds Evil Dead-like gore showdowns with Pink Floyd laser light freak-outs to thrilling effect, achieving a moving and disquieting type of genre alchemy that should appeal to fans of Cage’s out-there turn in the similarly odd hybrid Mandy. Again, you’ll know if this is in your wheelhouse or not.

A few words about streaming services : Netflix’s originals are generally more successful than Hulu’s, including mega-budget productions like The Crown, animated hits like Bojack Horseman, genre pieces like Stranger Things, and adaptations such as The Witcher. Other streaming services also outclass Hulu. For example, Amazon has a growing list of top-notch originals, including Bosch, Fleabag, Patriot, Hunters, The Boys, The Expanse, The Marvelous Mrs. Maisel, and Undone. HBO Max offers a substantial catalog of quality past and current shows including Barry, Big Little Lies, Deadwood, Silicon Valley, Six Feet Under, The Sopranos, The Wire, Westworld, and VEEP. Hulu’s library of movies is decent with mainstream movies such as Forgetting Sarah Marshall, High Fidelity, Parasite, Rocketman, Superbad, Terminator: Dark Fate, and Twilight at the time of publishing. Things are looking up in 2021, however, with Hulu snagging the same-day release premieres of Nomadland and The United States vs. Billie Holiday, both of which won Golden Globe awards. That said, movie fans will likely want to subscribe to one of the available channel add-ons.

Dramas don’t come much bleaker than Beanpole, director Kantemir Balagov’s wrenching story about the damage caused by war, and the exceedingly high cost of survival. In a 1945 Leningrad still recovering from the end of WWII, lanky Iya (Viktoria Miroshnichenko), aka “Beanpole,” works as a nurse even though her military service has left her with a condition in which she becomes temporarily frozen. Iya cares for Pashka (Timofey Glazkov), the young son of her frontlines friend Masha (Vasilisa Perelygina), and when Masha appears to reclaim her child – only to learn of an unthinkable tragedy – their relationship buckles under the weight of grief, guilt, regret, resentment and need. Cruel blackmail soon proves to be Masha’s means of coping with loss, but healing is in short supply in this ravaged milieu. Shot in alternately tremulous and composed handheld, director Balagov’s long takes place a premium on close-ups, the better to convey the dizzying anguish of his subjects, who are as decimated as their environment. Overpoweringly desolate and moving, it’s a vision of paralyzing individual, and national, PTSD – and, ultimately, of women banding together to forge a new future. See even more info on invincible season 1.

Director Kitty Green’s scripted debut depicts a long day in the life of a low-level drone at an unnamed New York film studio not unlike the Weinstein Company. Jane (Julia Garner) takes calls and makes copy and scrubs the bodily fluids off the couch in her boss’ office, all with the same look of grim understanding that this is what she has to endure to get ahead in her dream industry. Spare and devastating, The Assistant serves up a portrait of an abusive workplace in which the behavior of the unseen man at its head trickles down to inform the power dynamics and behavior of the rest of the company. That includes HR, to which Jane pays a visit in a brutal centerpiece scene that emphasizes what it’s like when the only choices open seem to be to become complicit or to give up.

Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut, which concerns a young hospice nurse named Maud (Morfydd Clark) who comes to believe that her mission from God – with whom she speaks, and feels inside her body – is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, punctuated by an incendiary final edit that won’t soon be forgotten. Read more details at https://www.dvdshelf.com.au/.